
Sardinia, summer 2009. Emilio Fede, director of TG4, the state gets off the plane ...
in these cases almost regret the BR
Only 11 heads of state congratulated Ahmadinejad on his re-election. The news was confirmed on the website of the President. Thanks to Google Translate, so here is the infamous list:
1) The King of Oman
2) Asif Ali Zardari, President of Pakistan
3) Emomali Rahmonov, President of Tajikistan
4) Hugo Chávez, Venezuela's President
5) Serzh Sargsyan, President of Armenia
6) Hamid Karzai, President of Afghanistan
7) Dmitry Medvedev, president of Russia
8 Recep Tayyip Erdoğan, Prime Minister Turkey
9) Ilham Aliyev, President of Azerbaijan
10) the Emir of Qatar
11) Hu Jintao, President of ChinaA beautiful lobby of scoundrels, no doubt about it.
"What we know, the way we know, what we think of the world and the way we imagine it is crucial for individual freedom and political participation. The fact that so many people today can speak, and that you are grouping together in mutual citation networks, such as the blogosphere, which makes it easier for everyone be heard and to enter into a public conversation. At the same time on the net there are a lot of nonsense. But meeting this nonsense is positive. It teaches us to be skeptical, to look for cross references and more generally to find for ourselves what we need. The search for different sources is a much more engaging and independent of the search for the answer from an authority.
On Boing Boing, Cory Doctorow launches five rules to be observed to help the protesters in Iran using Twitter to communicate and exchange information.
for those who want to follow the latest developments, Andrew Sullivan is doing a great job of gathering ... check this out: http://andrewsullivan.theatlantic.com/1. Do not make your public ip address on Twitter, especially not while using the hashtags # iranelection. Security forces are monitoring the accounts that use quell'hashtag and once identified the ip matching, the block in Iran.
2. Hashtags are the only ones to use and # # iranelection gr88: the other would end up diluting the message flow.
3. Eyes open! The security forces are using the Twitter account to spread false information. Not to circulate information without first having checked with reliable sources. It is not difficult to find reliable sources.
4. Help the Iranian bloggers to hide among other things: change your settings and your time zone as if I wrote from Tehran. Security forces hunt for users by searching according to their position. If we all become "Iranians", find the true Iranians will be far more complicated.
5. Not to blow their cover! If you find a reliable and safe, not to advertise his name or the place from which he writes. These people are in grave danger. Spread the information with discretion, but not so that they can be tracked by the security forces.
It covers the main steps that led to the birth cinematic apparatus and its development from the period we will follow the "dumb" to this day. We will see the evolution of film language and in particular the use of the assembly in the different movements and in different historical phases of the film, which avangurdie, classical cinema, neorealism and modern cinema.
The course is divided into three sections:
1 - "Materials and styles: from the shadows to sound"
2 - "Techniques and movements: the evolution of the assembly from the thirties to contemporary cinema"
3 - "The audiovisual professions: writer, cameraman, editor and archivist"
1 - The first three lectures deal with the technical and stylistic development of moving images: the first shows the projection of images already organized in the eighteenth century to the growth of a narrative to articulate images as we know it today. The discovery the principle of the camera obscura is the basis of the birth of photography and then film. But the entertainment given by the projection of images was created much earlier.
2 - In the second part (3 classes) will examine the assembly in classic Hollywood cinema, Italian neorealism and the French nouvelle vague, or movies from the thirties to the sixties. A lesson will cover the installation and post-video production business.
3 - The third part (4 lessons) establishing the roles of writer, cameraman and editor. The lesson will be conducted by industry experts. In the last lesson we'll talk about film archives and television, restoration and reuse of archival images.
The course will be complemented by the vision and discussion of the following films:
silent film - E. Lubitsch's "The Marriage Circle", 1924
avangurdardia Dadaist Film - R. Clair "Entr'acte", 1924 and / or surreal - L. Bunuel and S. Dali's "Un Chien Andalou", 1928
classic Hollywood film - M. Curtiz "Casablanca," 1942
neorealist film - V. De Sica's "Ladri bicycle ", 1948
film of the Nouvelle Vague - JL Godard" Breathless ", 1959
film of modern cinema - M. Scorsese's "Raging Bull", 1980
Course on FREE